
There was a torch somewhere....Gilda's room. Yes. Idima began tearing back the pillows and sheets.
There, under the pillow was a drawing book.
She opened it.
On every page a childish drawing. But dark. Somtimes the figure was far away in the distance. Sometimes close, it's features black and cruel - even in her daughter's hand.
She turned the page. A drawing. And she knew at one who this was, and at once the image sickened her. Was this more than a child's imagination? Looking back at her in a child's smudged hand, was not her father, Ben. It was a face, darker, more familiar. It disgusted her. She wanted to burn it. The face was hers.
She looked again at the drawing. The childish image stared at her. Willing her. Daring her. She could feel the world closing in. Was her face so cruel? She had to see. She dropped the book, her eyes wet with tears, and ran to the bathroom. She stood facing the mirror and jumped.
She could see him in the reflection. Maybe five, six feet behind her. She could hear him breathe. Feel him, almost. His rancid breath on her skin. She looked over her shoulder. She knew the bible story - knew that Lot's mistake turned his wife to salt. But she had to see. Her head turned. She fought to keep her eyes open. And steeling herself she looked Tom Bones directly in the eye.
But he was gone. She spun round. Nothing.
"God! Show yourself you coward!"
Behind her. A voice.
"I don't take orders from you, bitch."
She turned back. There, in the mirror, was Tom. Full, staring eyes. Nothing between them. His thin, cracked lips and sallow skin. On his high forehead, the long bitter lines that a life filled with disgust were etched deep. Each furrow seemed like the open grave of a child. Another victim of this murderer.
She could feel the windmill, as if it were calling to her. Offering her sanctuary. She pushed Tom, and for the first time felt him. Physical. Real. Yet even as she did, he was like water. Mist. Incomplete. She had to get out of here. To find her daughter. The mist swirled and dispersed, and it was then that she heard the front door close.
"Thos."
No reply. She called again. But still no reply. She panicked. She was alone in the room. Thos...Tom....Gilda. All gone. What had happened to Thos. Had he run? Or was this Tom? She must sure he could not finish what he had begun. It must not be allowed. She pulled at the door. It was stiff, but finally it opened. Mist swirled around. The buildings around her were gone. She was alone. Totally and utterly alone. Except for the mill. The sails tore at the sky. Their very turning seemed to suck the oxygen from the air. With each rotation, a cold chill seemed to further grey the leadening sky. The sun had long since this last battle with night.

Suddenly the smell came again. Ben? No. This was Tom. She was sure this time. She could taste the metallic seep of blood on the wind. And now came the darking night. A brackish pricking at her skin which was at once clammy and ice cold.
"The children are mine." The voice was callous and bruising and high. The smell came stronger. It made her throat constrict: a stifling dread closed in on her. She wretched.
"Give-me-my-children."
Each word was deliberate, struggling. He struck her face.
His eyes were devious, black, crippling. His breath smelled musty. Rotten. Like a damp room that had been closed too long. The smell poisoned the air. She could feel the mark rising on her face, but now she could not see him. Frantically, she spun around, but he was nowhere.
She put her hand to her mouth. She was bleeding.
But now the words came easier, like eels slipping free from a broken net.
"You won't have my children. I'm not scared of you."
"Aren't you?" He paused. "A pity."
"And how about your mongrel children? Are they afraid?"
She saw a quick flash of steel to his right. It caught in the moonlight. His arm crooked, raising the knife up. Watched as he drew the small blade up level with his face. Saw as he pushed his tongue out through his thin, dry lips.
She spoke.
"Cut me. I don't care".
But he said nothing. Instead, with one swift drop of the arm he slashed the blade through his own tongue, Blood poured from his mouth. Death flowered at his lips like cancerous roses and all the while the taste of his blood hung on the air.
She stood facing the windmill, her damp hair tousled with sweat, blood and dirt. Quixotic.
She longed for a first strained hopelessness of day to whimper onto the horizon. But even if a trickle of dawn flowed, it seemed only to add grist to the mill. And now the sails were in full rotation, sweeping strokes against the brutal remains of night. But strokes made not of the wind, for there was none. But for the turning sails, all was still. But not Idima's heart. For that alone could be heard, above the angry silence. She did not wonder at the presence of no other heart, for she knew that Tom Bones heart, if indeed there still was a heart inside this beast, was withered and rotted to a poisoned core.
She did not know how she took those steps that she saw in the mudied grass behind her; only knew that when she turned back she was thrown down as a mighty sail struck her face, tearing the skin below her right eye. There was no way in or out of the mill, then. The door was boarded tight. She beat at the boards until her hands were bleeding;
"Tom! Tom Bones, I know you. I know who you are! Come here and show your face. Give me back my children!""
The sails seemed to quicken, but still there was no breeze: no way in. And it was then that she saw him. Framed against a window, half way up the mill. Tiny, too tiny to provide a way in. But what other way was there. And then she heard another voice.
"It's hurting me"!
Gilda
"Leave her alone!"
"Mummy!"
"For gods sake, let her go!"
Idima threw herself hard against the sail. It's force threw her back. Steeling herself, and dazed, she staggered to her feet, and again she threw herself against the sail. This time it caught her arm as is tore her off her feet. She felt her wrist shatter as she clutched at the wood. Felt the searing pain spread through her arm, through her body. Felt the sickening feeling of her stomach churning as she was turned by the sails. Somehow, disorientated, she managed to inch her way toward the centre of the mighty cross.

"Mummy!" The scream was louder, higher. She had only heard this sound before when Gilda has burned her arm against the iron when she was three. Why was she thinking about that now?
"Get away from her!" Thos' voice seemed to jolt her back to reality. Clear. Strong; but this was worse. More pleading. Begging him to stop. Was this what escape meant? Was this why they had run from Ben, from Gilda's father?
And suddenly, the sails stopped. She was flung hard again, this time against the force of the turning sails. She clearly heard the sound of bones shattering this time, but she felt no more pain. She was past that; now all she felt was revulsion. Revulsion for Tom Bones, and determination that he would not have her children. He had taken enough lives, and now it would come to an end.